I think I only saw a trailer when it was announced. It looked kina horrible to be honest, but after reading this I’m imagining it like one of those games that are kind of bad by usual standards and that you can’t really recommend to anyone like you would recommend any other game, but that is just so unique and special in its own way that it sticks with you. Something like Pathologic maybe, but without the depression
Piranesi by Susanna Clarke, and I hated it.
It takes a very cool premise, then fills it with incongruences and predictable twists that you understand chapters ahead of the protagonist. Then it all ends up being (SPOILERS AHEAD) a “humans used to literally talk to nature, modern society bad” mumbojumbo with some kind of unexplained multiverse in it.
Thanks for the suggestion!
Since you look much more knowledgeable than me, could you help me understand how to navigate the overwhelming amount of different versions for every piece of music? For now I’m completely ignoring who’s playing and conducting and sometimes I timidly try to listen to another version, usually just to come back to the comfort of the first version I listened
It’s an old (early-internet?) joke iirc. And yes, I think that’s the answer